Not a big fan of Wolf Bros, but this show with orchestra at Kennedy Center was interesting.
Days Between 24 min in sounds good...would have loved to hear Jerry sing that with an orchestra.
Check out some of the orchestra players with wahwah and other pedals on the lower right
I can see that. John Mayer is a very skillful and accomplished guitar player - sometimes a shredder type - but he usually sounds like a clinician to me on most stuff I've heard from him - even blues stuff. Then again, most of those shredder guys (Malmsteen, Govan, etc.) sound more like mathematicians or actuaries than improvisational musicians to me.
Mayer is technically a competent player, but I don't think i would consider him a shredder.
I saw him a few times with Clapton and thought he was horrible.
At times with the Dead, I do find myself enjoying his playing...but I still don't like the tone.
On a side note, I wish the Allman Brothers would come back...somehow continue the journey, even as members pass.
I can see that. John Mayer is a very skillful and accomplished guitar player - sometimes a shredder type - but he usually sounds like a clinician to me on most stuff I've heard from him - even blues stuff. Then again, most of those shredder guys (Malmsteen, Govan, etc.) sound more like mathematicians or actuaries than improvisational musicians to me.
An old friend (astrophysicist, multi-instrumentalist) was explaining to me recently how Allan Holdsworthâs soloing was based on straightforward charting principles and, as long as you understood what his rules were, you could zoom all over the instrument. Greek to me, since Iâm a keyboardist, but it seemed like an epiphany to him.
I had seen a show 5 years ago, thought it was pretty good, and then decided that was my last.
My brother bought extra tix to Folsom Field, and ended up going, and having a pretty good time.
Still think Mayer's playing is little uninspired, and tone is too flat, laid back (not a fan of PRS guitars), but then there is Oteil and Jeff...a pretty good time....
I can see that. John Mayer is a very skillful and accomplished guitar player - sometimes a shredder type - but he usually sounds like a clinician to me on most stuff I've heard from him - even blues stuff. Then again, most of those shredder guys (Malmsteen, Govan, etc.) sound more like mathematicians or actuaries than improvisational musicians to me.
I had seen a show 5 years ago, thought it was pretty good, and then decided that was my last.
My brother bought extra tix to Folsom Field, and ended up going, and having a pretty good time.
Still think Mayer's playing is little uninspired, and tone is too flat, laid back (not a fan of PRS guitars), but then there is Oteil and Jeff...a pretty good time.
Founding members of the new venture, The Latin Dead, announced the inception of their equity crowdfund. Launched via the Music Benefactors investment platform, The Latin Dead is the first band ever to issue equity to the public.
The Latin Dead, fully appreciating the Grateful Dead experience, aims to convey the dynamic and unpredictable nature of Grateful Dead performances while initiating and fostering the emotional response of the listeners. Investment in The Latin Dead provides an opportunity for anyone to become an executive producer to support, profit and be part of an exciting new pursuit fusing the music of the Grateful Dead with that of Latin Jazz, thereby inaugurating a novel musical marriage.
âThe Grateful Dead mythology is a living legend that we will honor, respect and embellish on,â said Brenden Tacon, founder of The Latin Dead. âTo uplift, inspire, entice and have fun are our goals above all else.â
The minimum investment to own a part of the recording is $500 with additional increments of $50, and those who allocate greater than or equal to $5,000 will be invited to join the Latin Dead Board of Advisors to collaborate directly with the band and its operations. By reaching its full fundraising goal, the new musical enterprise will feature sufficient high-quality arrangements, a gig-ready professional 10-12 piece band, a full length recorded album, a behind the scenes montage video, a well-structured company and a modest marketing/merchandising effort to provide the band with some initial momentum.
Unique way of capitalizing on the lack of being able to tour and make some money. I heard a whole NPR segment on the hardship of touring musicians during the past year. Really quite sad. Music is the only thing, people just don't want to pay a lot of money for, hence why streaming sales are not cutting it for musicians and to make it viable they have to tour.
Founding members of the new venture, The Latin Dead, announced the inception of their equity crowdfund. Launched via the Music Benefactors investment platform, The Latin Dead is the first band ever to issue equity to the public.
The Latin Dead, fully appreciating the Grateful Dead experience, aims to convey the dynamic and unpredictable nature of Grateful Dead performances while initiating and fostering the emotional response of the listeners. Investment in The Latin Dead provides an opportunity for anyone to become an executive producer to support, profit and be part of an exciting new pursuit fusing the music of the Grateful Dead with that of Latin Jazz, thereby inaugurating a novel musical marriage.
âThe Grateful Dead mythology is a living legend that we will honor, respect and embellish on,â said Brenden Tacon, founder of The Latin Dead. âTo uplift, inspire, entice and have fun are our goals above all else.â
The minimum investment to own a part of the recording is $500 with additional increments of $50, and those who allocate greater than or equal to $5,000 will be invited to join the Latin Dead Board of Advisors to collaborate directly with the band and its operations. By reaching its full fundraising goal, the new musical enterprise will feature sufficient high-quality arrangements, a gig-ready professional 10-12 piece band, a full length recorded album, a behind the scenes montage video, a well-structured company and a modest marketing/merchandising effort to provide the band with some initial momentum.
There seems to be an ongoing split in the deadhead arena, as to whether the best live recordings have been done in the late 1970s, or rather the late 1980s through the early 1990s?
What do you think?
Here's a great one from 1977:
the licorice was more flavorful and stronger in the late 70s.
